Via NewGeography:
What will save the Clevelands and Detroits? The most prescribed cure is to find a way to attract more educated people. This has led cities across the country to compete for the vaunted “creative class” professional demographic. To urban theorist Richard Florida, to get creative types a city must have “[an] indigenous street-level culture – a teeming blend of cafes, sidewalk musicians, and small galleries and bistros, where it is hard to draw the line between participant and observer or between creativity and its creators.”
According to Florida, a city needs to know it is on stage,and compete for the attention of a select demographic. In theatre parlance, this is called “capturing the audience experience.” In urban place-making parlance it is called “principles of persuasion” that emphasize novelty, contrast, surprise, color, etc.
The Unrise of the Creative Working Class | Newgeography.com
However:
- “…Florida himself acknowledged this, stating in Atlantic Cities that, “On close inspection, talent clustering provides little in the way of trickle-down benefits [to the poor].” In fact, because housing costs rise, it makes the lives of lower- and middle-income people worse.”
- “…cities keep revitalizing this way because it is a feel-good prescription that is politically palatable. Who hates art, carnivals, drinking, and eating?”
- “Where does that leave the millions operating on the wrong side of scarcity? Florida’s answer is for cities to somehow convince corporate America to pay their service workers more.”
